La fotografia cattura attimi e racconta storie attraverso l’obiettivo, trasformando il modo in cui vediamo il mondo. Ātman Journal esplora come questa forma d’arte, in costante evoluzione, influenzi la cultura e la società, offrendo nuove prospettive visive e narrative.
In A Lair, I reinterpret old myths and Slavic rituals, using amulets from my childhood home, which was a warehouse of my grandmother’s cabinets of curiosities. Through performative activities, objects, installations and portraits, I combined the forest space with the space of the house. My work results in a series of symbolic images dealing with […]
(2014 — ongoing) Morocco Mall è un progetto fotografico a lungo termine iniziato nel 2014, durante un viaggio personale nel Maghreb. Spinto dalla curiosità di conoscere la nuova vita di un mio vecchio compagno di classe, tornato a vivere in Marocco con la propria famiglia, decisi di partire. L’impatto diretto e senza filtri con la […]
Chilluns’ Croon investigates themes such as absence, remembrance, spirituality, and mortality among formerly enslaved people in Wilson County, North Carolina. This work provides an intimate portrait of an African American community and expresses songs of hope, equality, and change for new generations. I conducted extensive research on the Wilson County area and established a relationship […]
Fotografie di Federica Cocciro – Testo a cura di Francesca del Boca Si sa, a fare notizia è la violenza esplicita. Insulti, pugni e persecuzioni scuotono le coscienze e fanno gridare all’emergenza. Ma il più delle volte la vera violenza si annida dietro apparenze di quiete e di normalità. È proprio così alle porte di […]
It’s a photographic story about bearing and giving up on my grandmother. There are two chapters. The theme of the first one is ‘bearing’, focusing on my grandmother’s sister Mao-Mao. The special kinship between her and Mao-Mao became a burden. Mao-Mao got encephalitis at ten because of a persistent high fever, which impeded her brain […]
I’ve been on maternity leave for 9 years, the last three of which I have spent as a mother of three children. My daily routine seems endless and it absorbs me. I try to be a good wife to my husband and a good mother to my children. At least, I attempt to conform to […]
(ongoing, since 2022) — Documenting the resilience of migrant worker communities An oddly placed Eiffel Tower in an unassuming village in Uzbekistan hints at a unique intersection of dreams and labor. Through both text and documentary photography, I track this confluence, as seasonal farmers craft homes and communities during their eight months working amidst the […]
“Bitter honey” is a documentary project about the challenging experience of contemporary beekeeping. By following beekeepers across France, Margaux Senlis seeks to bear witness to the disappearance of bees through a photographic series with soft appearances and honey-like, alluring tones. The causes of this disappearance are various and connected; climate change, droughts, parasites, monocultures, and […]
“To give truth the colour and narrative force of fiction”, this was Truman Capote’s ambition when he wrote ‘In Cold Blood’, the true account of a quadruple homicide in 1960s Kansas. It is the starting point for Non Fiction, a work of lyrical documentary that explores the porous boundary between fact and fiction in photography. […]
ll fotografo Marco Farmalli e il suo obiettivo si districano fra le pietre antichissime, le case popolari e gli angusti vicoli che non vedono mai la luce del sole della Città Vecchia di Taranto. Il quartiere, così come Ortigia a Siracusa, è separato dal resto della città da un ponte ed entrandovi sembra d’immergersi in […]
