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Settembre
4 Settembre 2025

ISLAND SYM­ME­TRIES

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4 min

Accor­ding to tra­vel psy­cho­lo­gy, the appea­ran­ce of simi­la­ri­ty bet­ween any two pla­ces is direc­tly pro­por­tio­nal to the distan­ce bet­ween them. What is nea­re­st seems abso­lu­te­ly dis­si­mi­lar, total­ly forei­gn. Often the most stri­king simi­la­ri­ties are ones we find — clear on the other side of the world. 

Inspi­red by this notion I focu­sed my atten­tion on two com­mu­ni­ties either side of the Earth to con­ti­nue my con­stant explo­ra­tion of youth, spen­ding time with the young peo­ple I encoun­te­red. The uncan­ny often-sub­tle paral­lels are a stark remin­der that youth is uni­ver­sal and gro­wing up in a tight knit com­mu­ni­ty brings often-pre­dic­ta­ble trends, rela­tion­ships and beha­viors.

The Crac­ker

Island Sym­me­tries begins at a vast waste­land stan­ding bet­ween two esta­tes. ‘Tib­by’; is a cul del sac of resi­den­tial hou­ses that curls around a small play­ground. Kids push prams with their hands high abo­ve their heads or zip past on chun­ky bikes. Throu­gh a nar­row alley­way you enter the Crac­ker; rol­ling grass lined with blac­k­ber­ries and stin­ging net­tles. 

Motor­bi­kes, peds and quads bark loud­ly eve­ry­day and at all times. The boys race them until they burn out, per­fec­ting the art of the whee­lie. Hor­ses are usual­ly kept in back gar­dens or local sta­bles and are just as popu­lar. The girls nestle around small fires despi­te the baking sum­mer sun.

On Pan­nac­k’s second trip she disco­ve­red an enti­re­ly black Crac­ker, spor­ting the occa­sio­nal pitch of grass that had esca­ped a fla­me. On the adja­cent side lies ‘The Lost City Esta­te’. Most of the boys meet at Jack Bar­re­t’s bars (a metal fen­ce that lies to the ope­ning of the field). They perch and exchan­ge sto­ries, ciga­ret­tes and zoo­ts alight refer­ring to each other affec­tio­na­te­ly as ‘Mush’. 

The name ‘Lost City’ deri­ves from an obvious obser­va­tion. With no enter­tai­ne­ment and a lack of role models some of the­se young peo­ple do feel lost. The poli­ce bat­tle again­st them.

Top­si­de

10873 miles away the arti­st found paral­lels with the Crac­ker, in a small island sta­te at the far­the­st end of the glo­be. Gage­brook — ‘Gagey’ to locals — a small com­mu­ni­ty not far from Hobart, the sta­te’s capi­tal in Tasma­nia. The kids are on the edge of ado­le­scen­ce. The tip­ping point. They’­re bored, wild-eyed. They ride BMX’s and watch as low-slung, red and metal­lic Hol­den com­mo­do­res gro­wl and screech into ‘bur­nou­ts’ around us. Dirt bikes roar throu­gh the play­grounds, their hel­met-less riders pul­ling whee­lies.

Just like on the Crac­ker the kids swig back ener­gy drinks faster than water. Dila­ted pupils and exci­ted squeals fol­low. Small cross body pou­ches and the late­st trai­ners are boa­sted. The fic­kle and inten­se friend­ships are iden­ti­cal on both sides of the world. The air is fil­les with ten­sion, dra­ma and aggres­sion. Someo­ne is threa­te­ned with a kni­fe. A for­ming and pro­mo­tion of one’s strength and domi­nan­ce. Mostly the­se kids are still soft, poli­te. Some­ti­mes they call me ‘miss’.

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