Asymp­to­te uses archi­tec­tu­ral sites that are authen­tic to the era of socia­li­sm. Pla­ces, for­mer sym­bols of power and great­ness, ele­va­ted in order to make the per­son feel small. Today they stand still, strip­ped of essen­tial pur­po­se, aban­do­ned or for­got­ten like gra­ve­sto­nes of their for­mer glo­ry. Asymp­to­te mer­ges past and pre­sent, by reflec­ting on one at […]